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After two kathals vanish from a prominent figure's garden in a small town, the local police are assigned the task of recovering them. However, it gradually becomes clear that this social satire cleverly employs the incident as a façade to shed light on a larger issue. Kathal manages to avoid being preachy or melodramatic like most movies that tackle serious problems, yet it falls short of delving deeper into the matter that truly warrants more attention.
Nevertheless, what works in Kathal's favor is its consistent tone, subtle humor, and relaxed pace. Set in rural Madhya Pradesh, the film showcases relatable characters deeply rooted in their surroundings. Their seemingly slow-paced lives are actually filled with everyday drama and humor, as the movie illustrates. Thus, when the seemingly mysterious disappearance of a rare jackfruit variety becomes a significant event in the town, it triggers a chain reaction. This ultimately reveals grave criminal activities that the police were seemingly aware of but failed to act upon.
Kathal skillfully incorporates various social issues into the story, particularly focusing on gender dynamics and caste biases. Inspector Mahima Basor (played by Sanya Malhotra), belonging to a lower caste, is romantically involved with a senior officer from an upper caste. Despite facing caste-related taunts from her older male colleagues, Mahima, who has proven herself in her job, leads her team with determination. The film tactfully explores the intersectionality of caste and gender without being overly explicit.
In her portrayal of Inspector Mahima, who is on a mission to catch jackfruit thieves, Malhotra relies on her natural charm and sweetness. However, she also confidently takes a firm stance whenever the script demands it. Unlike the stereotypical tough female cops depicted in mainstream cinema, Mahima is compassionate, diligent, and unafraid to confront injustice. Despite the personal challenges it brings, she stands up for what is right. Mahima not only drives the storyline as the central character but also delivers a captivating performance.
Malhotra receives strong support from Neha Saraf, known for her excellent comic timing in the play Piya Behrupiya, and Anantvijay Joshi. Saraf convincingly portrays the challenges faced by a professional woman juggling work and domestic responsibilities, like baking a soft cake for her husband's birthday. Vijay Raaz and Rajpal Yadav deliver delightful performances as the MLA who coerces the police and the energetic local journalist, respectively. However, their wigs appear out of place and fail to generate the intended laughter.
The film stays true to its setting, with most scenes unfolding at a leisurely pace, capturing the rural landscape and life. Some parts of Kathal may feel prolonged, but it remains focused on its objectives. Instead of making grand statements, Kathal subtly reminds us of existing social biases and flaws in the system. It also highlights the simple joys of life.
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